5 MALAYALAM FILMS OF 2017 YOU DON’T WANT TO MISS

It is great news that some of the best films of the year were also the ones that made more money, but 2017 had great many efforts that may not have been all that bad, but fell short all in all. One of the major letdowns being Bijoy Nambiar’s middling SOLO that defied all expectations. Well-intentioned and well equipped, this Dulquer omnibus could not do full justice to the central idea that tied the stories together and despite a great production remained a half-baked effort. But moving on to happier attempts, listed below are what was worth the time.

10 MALAYALAM MOVIES YOU WILL NEVER GET TO WATCH!

Following is a list of Malayalam films with very promising plot premise and even greater team that were unrealized for unforeseen reasons. While in some cases the makers were persistent on an unavailable cast while some others were possibly overambitious for the purse, and some haunted by deaths. 

Shaji N. Karun's prospective film GAADHA featuring Mohanlal

7 MALAYALAM FILMS OF 2016 YOU DON’T WANT TO MISS

A decent year with some great attempts, 2016 was a mixed bag for Malayalam Film Industry. There was the film that broke all cash records on one end, while on the other, major disappointments from two of the titans- Adoor Gopalakrishnan whose Pinneyum was a damp squib at the end of that 8-year long wait following his last and T.V. Chandran whose stagey Mohavalayalm seemed to have lost all track of reality despite an interesting premise. But what makes 2016 special is the sheer number of newcomers that surprised us with some good cinema, so much so that more than half of the films in the following list are from debutant directors. There were also a handful of films with kids as central characters that leaves a ray of hope for years to come. Now, check out the list and see which ones worked for you…

30 ICONIC THEME MUSIC IN MALAYALAM FILMS

Theme music or signature tune is an integral part of most films, and being part of the background score, helps to establish its mood similar to that of a leitmotif. They provide each film its own identity, and in certain cases they go on to became synonymous to the respective film owing to its popularity. Following is a list of some of the most iconic theme music used in Malayalam Films, most of which will certainly give you some serious nostalgia.

10 MALAYALAM MOVIES IN WHICH RAIN PLAYS A SIGNIFICANT ROLE

film Paithrukam

No matter what, there is no separating rain from a Malayali. It is such an integral part of the soul and body of Kerala that everyone here tend to relate it to memories from all possible aspects of life, be it love, passion, nostalgia, melancholy, happiness, ecstasy, and the list just goes on. Rain is one of the most widely used elements in Malayalam films, and our rich cinematic history has a lot of such films to boast about. Songs like “Pranayamani thooval viriyum…” from Azhagiya Ravanan and “Neelakuyile chollu…” from Adwaitham brings back all that raging glands to action. It has made dramatic entries in scenes of great magnitude like the ones in Devasuram, Kireedam and Kannezhuthi Pottum Thottu. There are also some films where it plays a much more important and extensive role in setting the mood and as a narrative tool. Following is a list of such films that effectively uses rain in all its glory.

12 MALAYALAM MOVIES THAT WILL CERTAINLY MAKE YOU UNEASY

Now having already covered the most unsettling viewing experiences in Malayalam cinema in LIST OF THE MOST DISTURBING MALAYALAM FILMS, this list might not seem like an ordeal after all, but there are numerous movies in our canon that irks our distress tolerance, however varying in degrees though, owing to its subject matter that may entirely not sit inside our comfort zones, and that can make for a handsomely eggy list all by themselves- more like a part-2 to the 'Disturbing List'. Although less potent in its viciousness when compared to those movies in the “Disturbing List”, most of them discuss unkind fate and unappetizing situations you don’t want to deal with or discuss in real life. Following is a list of such films in Malayalam that will invariably make you uneasy, be it emotionally, intellectually or physically- some right in the end, while some throughout the run. 

15 OF THE BEST DEPICTIONS OF FRIENDSHIP IN MALAYALAM FILMS

“Friendship marks a life even more deeply than love. Love risks degenerating into obsession, friendship is never anything but sharing.”

- Elie Wiesel

And who doesn’t know! Friendship is one of the purest forms of human bonding forged outside the liabilities of blood! Cinema worldwide has explored on the dynamics of this brilliant bond in various permutations possible. Following is a list of some of the truest friendships portrayed in Malayalam films thus far.

11 OF THE MOST CONTROVERSIAL MALAYALAM FILMS OF ALL TIME

film Papilio Buddha

Living in a time such as ours, you shouldn’t be surprised if tilting your head a certain way ended up offending someone or some group somewhere longing for attention and waiting to pounce. Despite all the ongoing debate on freedom of expression, art, books, films and other such creative media has increasingly been attacked time and again in the name of the liberty taken to “overstep that line”. Many a controversies have arisen owing to the disputed interpretation of the said freedom, and one of the most targeted areas in this case has forever been the movie world. In Kerala where every Mahesh, Suresh and Ramesh veneer their opinions as criticisms, there have been many occasions where films were beaten and cut to size for freely expressing a view different from the conventional; like when the movie name Ponmuttayidunna “Thattaan” had to be changed to Ponmuttayidunna “Tharavu” following severe protests from the goldsmith community who took offence from the original title; like when the multiple endings of Harikrishnans kick started a storm verging on communal; like with the filming of a live childbirth in Kalimannu and the partial nudity in Thanmatra cocked a lot of eyebrows. Many derided Fazil’s Ente sooryaputhrikku as bad influence, Jeetu Joseph’s Drishyam for sending the wrong message and Alfonse Puthran’s Premam as provocative and misleading. Similarly film Parudeesa directed by R. Sarath was accused of instigating anti-religious propaganda and Padmavyooham directed by Bijoy P.I. for posing security concerns to Sri Padmanabhaswamy Temple. The ambitious Adoor film Kathapurushan garnered much criticism for the resemblance of its stammering protagonist to veteran Communist leader EMS Namboothiripad. Most Shaji Kailas films scripted by Renj Panicker from Ekalavyan to Commissioner courted controversy for daring the system. So was the case with numerous I.V. Sasi films written by T. Damodaran. Following is a list of movies in the Malayalam language that became controversial for its subject matter as well as its portrayal more than any other.

22 WOMEN-CENTRIC FILMS IN MALAYALAM worth your time

films Akashadoothu & Kannezhuthi Pottum Thottu

There have been several memorable and powerful female characters in Malayalam cinema since its conception, those that stand on par with their male counterparts and those that stand alone. They variously showed us different facets of women- their extraordinarily courage, their selfless love, their all-consuming anger, their amazing endurance, their unparalleled beauty and so on and so forth. Gifted with a talented league of writers, our films have often discussed issues pertaining to the fairer sex- both serious and in lighter vain- and such female oriented subjects with memorable women protagonists have always been very well accepted as well. Following is a list of some of the best films in Malayalam dealing with women-centric subject.

13 GREAT MOVIE METAPHORS IN MALAYALAM CINEMA

Symbolism is a very sticky business, both to use and to comprehend, yet if cleverly done could be greatly rewarding. Intelligent films in Malayalam have always had a rich tradition of symbolism to address ideas of social, psychological, ideological or religious bearing using brilliant metaphors. These parallels have in the past not only added layers to our thought processes, but have also been enriching our taste over the years. Following is a list of some of the greatest metaphors used in Malayalam Cinema, some of which bask in plain sight, while others, you got to dig a great deal to even locate.

18 UNFORGETTABLE CHARACTERS PLAYED BY INNOCENT in Malayalam films

Innocent Vareed Thekkethala, mononymously known as Innocent is one of the most popular comedians working in Malayalam Cinema today. He is among those actors who, despite having the ‘actor’ overshadowing the ‘character’ with his trademark mannerisms and unyielding accent, pull it through effectively every time. Like Mamukkoya and Kuthiravattom Pappu, he has been stuck in an accent muzzle with his obstinate Thrissur lilt that once hung above the head of the Achayan accent in Kottayam Kunjachan and Kayyur Accent in Meenamasathile Sooryan (which could be overlooked as nobody including the scriptwriter got it right there). Nevertheless he is one of our all time favorites, and we do have his different characters etched into our memories each distinct from the other,however slightly like the cards in a deck. Following is a list of some of his most unforgettable characters thus far, many of which have made us laugh till it hurt.

10 COMMENDABLE ON-SCREEN ACCENTS by actors in Malayalam Movies

film Amaram

Accents and slangs are a part and parcel of language, and every region has their very own. In Kerala there are more number of accents than there are districts. Malayalam spoken in some regions in Kasargod can perplex the hell out of someone from Fort Kochi, and someone from Trivandrum might even get offended, and the bridge runs both ways. Yet in Malayalam Cinema, accents are a largely overlooked area. Apparently training in a regional accent has never been a mandate in preparing for films set there. Even when the scripts get the slang right, the actors mess up the accents. Obviously being able to effectively fake a foreign accent is a great gift and that not many have. But then there are always exceptions how much ever little, and some actors have long established it as their strong suit. Following is a list of some of the best efforts at faking different regional accents in Malayalam Cinema thus far.

5 REVENGE FILMS IN MALAYALAM worth your time

film New Delhi

As the man once said, ‘revenge is a dish best served cold’, as the very act is associated with a fulfilling thrill of an eventual payback. Revenge films fall in the sub genre that routinely thrives on this trill that naturally flourish outside of law with associated violence in some form or the other, which is what make it all the more compelling. From Navodaya’s star spangled Monte-Cristo adaptation Padayottam to the more recent, blunt and merciless 22 Female Kottayam, revenge films has been tried and tested in Malayalam with varying degrees of finesse. Following is a list of some of the best films in this subgenre in the Malayalam language.

10 OF THE BEST SATHYAN ANTHIKKAD FILMS thus far

film Thalayanamanthram

Sathyan Anthikkad is undoubtedly one of the best film directors working in Malayalam cinema today, although for the past couple of years he seems to have been grappling with a series of paltry scripts jading his reputation. But we still have faith in him. He has already proved himself to be the unparalleled master of people’s cinema in the actual sense of the word, and anybody Malayali at heart will be able to relate to every last detail addressed in his films. His heroes are always the common man and his setting, the quintessential Malayali middle-class. His collaborations with the clever scripts of Sreenivasan and Ragunath Paleri have gifted us with some of the most lighthearted gems addressing serious and prevalent social issues. Following is a list of some of his best films that you most certainly don’t want to miss.

100 PHOTOGRAPHIC MOMENTS FROM MALAYALAM FILMS thus far

film Akasha Gopuram

“To photograph is to hold one’s breath, when all faculties converge to capture fleeting reality. It’s at that precise moment that mastering an image becomes a great physical and intellectual joy.”